Testimonials

TESTIMONIALS

HIT Productions 

“HIT Productions, under Christine Harris, has consistently produced high quality Australian drama for regional Australia, a part of Australia normally deprived of what Metropolitan Australia takes for granted.  HIT Productions, in a very real sense, helps keep regional Australia in touch with the insights our best dramatists are offering about our national psyche, and as such should be strongly supported at a State and Federal Government level.”
David Williamson A.O

 

“HIT Productions first toured Hotel Sorrento in 1999. In twenty years of touring plays, this company has dedicated itself to producing the work of Australian playwrights. My plays have been seen by audiences across the country as a result.  Always in any work of art we are looking for questions that go to the heart of our humanity. HIT Productions have dedicated themselves with great skill and open-heartedness to this quest. They have been tireless in their commitment to sharing the stories of Australian lives and have enriched our national theatre culture immeasurably.”
Hannie Rayson

 

“The Theatre Royal has a long association with HIT Productions. We presented our first HIT touring production Girl Talk starring Jacki Weaver in 2001 and HIT has since been a regular part of our subscription season, most recently with Australia Day by Jonathan Biggins and The 39 Steps. Both of these productions exceeded our box office targets and proved to be very popular with Hobart audiences and in particular our subscriber base. HIT deliver high quality productions – the professionalism of cast and crew is always first class and we can rely on the company to produce excellent marketing and publicity materials.”
Don Hopkins, Program and Operations Manager Theatre Royal Hobart  TAS 

 

“QUT Gardens Theatre began programming touring theatre works in 2004. Since then we have been delighted to present over 35 works from  HIT. In a tough economic environment it is a testament to Christine Harris’ passion and professionalism that HIT Productions continues to deliver high quality product through a very efficient touring model. Because she plans so far ahead, I am provided with the very welcome opportunity to program HIT Productions’ large ensemble works as a cornerstone of each year’s theatre season, around which I can program other (usually smaller) works that emerge on the market with a shorter lead-time.  HIT Productions makes a major contribution to theatre and to Australian communities – taking high quality work to all parts of the country, engaging audiences,supporting Australian work and employing theatre practitioners.”
Jill Standfield, Operations Manager, QUT Gardens Theatre Brisbane QLD

 


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